Skip to main content

Be Mine, Valentine


I'm not generally a huge fan of occasional poems, but I had fun with the Diwali poem I wrote for the HFR Blog Contest a while back, and speaking of keeping track of time and the passage of time, occasional and seasonal poems are pretty useful.

I'm going on blog hiatus while I'm at AWP and visiting my in-laws, so I'll miss Valentine's Day. You would think that Valentine's would be too super cheesy to even approach. I disagree! Wikipedia has some crazy interesting stuff, history of Valentine's and connected customs, including a gallery of beautiful vintage valentines. There's plenty of opportunity for dramatic poems, narrative poems, poems taking an interesting obscure fact or custom as a jumping off point, or ekphrastic poems using the cards. I'm especially interested in the ones that look like vintage tattoos.

http://en.wikipedia.org/wiki/Valentine%27s_Day

And that's not even getting into the personal/lyric poems that could come of out comparing these wiki-facts with contemporary events or personal events. Valentine to Blago? Valentine from the baby leopard to his piglet pal (look it up on Youtube!)? Valentine to a relative, maybe an in-law?

Whatever your Valentine Poem may be, have fun.

Comments

Popular posts from this blog

Armantrout's Feminist Poetics and the Meaning of Clarity

Because it doesn't seem to exist in digital form AT ALL, here's my annotation for this totally foundation feminist poetics essay. Rae Armantrout’s foundational essay “Feminist Poetics and the Meaning of Clarity,” offers a way of understanding the social in experimental poetry that is critical of a particular type of lyric subjectivity, described as univocal, closed, Romantic, imperial, and appropriative. For Armantrout, the stable poetic subject is inherently appropriative, serving epiphany demanded by mainstream form, constructed by metaphor’s appropriative nature. Armantrout specifically calls out the type of poems that most agree constitute conventional poetry of witness: “The conventional or mainstream poem today is univocal, more or less plainspoken, short narrative, often culminating in a sort of epiphany” (Armantrout 288). Elaborating, Armantrout argues that “such a form must convey an impression of closure, and wholeness, no matter what it says” (288). Closure an...

"Self-Portrait as Medusa in Shock" Jayme Ringleb

"Self-Portrait as Medusa in Shock, " Jayme Ringleb, Puerto Del Sol Online, is such a lovely and challenging ekphrasis. I won't quote any of it, because there is this seductive kind of movement in the poem, like very classy striptease, a dance of veils, or the pulsing of a jellyfish, that when relaxed, its nearly transparent arms floating away from the body, allows you to see more clearly through what when held tightly concealed those mysterious internal structures. The layers of ekphrasis in this poem are constructed like a nesting doll, each stanza with a lovely similarity, a theme, but each leading more intimately to the interior. The poem begins in the natural world of the jellyfish, which is written over by classical myth that shares the creature's name, which in turn is compared to Biblical stories of resurrection, before the poem finally turns toward memoir. There the poem compares this idea of the classical Medusa, being confronted by her own fatal image t...

I'm officially over 12x12

Deciding which poetry books to take with me to Charleston for 6 months while I pack up the rest for storage. I think I'm going to skip at least a few 12x12 months, and those books I'd planned to read and give away are stored to donate another day. On the bright side I think I've got enough to read, and maybe I'll even write :) Trying to find one last book, a chapbook by my friend Charlie about distance between lovers, the physical kind, to read when I'm lonely.