Get thee to a scanner! Here's a phone pic of my webcomic for Medusa's Head. I think Politics of Poetics might become an ongoing topic.
The poetess is Lydia Sigourney, who was brought to my attention by a very interesting article by Annie Finch. The romantic poet is William Cullen Bryant, contrasted with Sigourney in that same article by Finch.
The dialogue is quoted from Sigourney's poem, "The Orphan," Bryant's poem "The Yellow Violet," Sigourney's "The Butterfly" and Bryant's "June."
For some feminist background on men who know things, check out Fannie's Room's take on the mansplaining phenomenon.
Because it doesn't seem to exist in digital form AT ALL, here's my annotation for this totally foundation feminist poetics essay. Rae Armantrout’s foundational essay “Feminist Poetics and the Meaning of Clarity,” offers a way of understanding the social in experimental poetry that is critical of a particular type of lyric subjectivity, described as univocal, closed, Romantic, imperial, and appropriative. For Armantrout, the stable poetic subject is inherently appropriative, serving epiphany demanded by mainstream form, constructed by metaphor’s appropriative nature. Armantrout specifically calls out the type of poems that most agree constitute conventional poetry of witness: “The conventional or mainstream poem today is univocal, more or less plainspoken, short narrative, often culminating in a sort of epiphany” (Armantrout 288). Elaborating, Armantrout argues that “such a form must convey an impression of closure, and wholeness, no matter what it says” (288). Closure an...
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