Lucille Clifton's response to the story of Leda's rape by the swan-formed Zeus, I cannot help but compare to William Butler Yeats' "Leda and the Swan:"
"How can those terrified vague fingers push /
The feathered glory from her loosening thighs?"
Honestly, I think "Leda 1" is a direct response:
"there is nothing luminous/
about this."
Clifton gives voices to other Ledas, less victimized than Leda 1. But all of them are attempts to give voice to women's perspective, not that of the swan-god or the onlooker.
My reading of this poem is hardly original--for some interesting criticism that suggests that Leda 2 and 3 are Mary and Eve, visit Shara McCallum’s “The Volta, the Vulva, Leda, and Lucille” at Voltage Poetry.
Note: It was disturbingly difficult to find an image of Leda where she isn't smiling or kissing the swan on the beak. Gross.
Lucille Clifton's response to the story of Leda's rape by the swan-formed Zeus, I cannot help but compare to William Butler Yeats' "Leda and the Swan:"
"How can those terrified vague fingers push /
The feathered glory from her loosening thighs?"
Honestly, I think "Leda 1" is a direct response:
"there is nothing luminous/
about this."
Clifton gives voices to other Ledas, less victimized than Leda 1. But all of them are attempts to give voice to women's perspective, not that of the swan-god or the onlooker.
My reading of this poem is hardly original--for some interesting criticism that suggests that Leda 2 and 3 are Mary and Eve, visit Shara McCallum’s “The Volta, the Vulva, Leda, and Lucille” at Voltage Poetry.
Note: It was disturbingly difficult to find an image of Leda where she isn't smiling or kissing the swan on the beak. Gross.
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